Antonin Artaud: The Scum of the Soul (Palgrave Studies in Modern European Literature)

This booklet serves as research of the aesthetics of materiality within the multifaceted paintings of Antonin Artaud, certainly one of Twentieth-Century France's so much provocative and influential figures, spanning literature, functionality, paintings, cinema, media and significant concept.

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14. 15. sixteen. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. forty. 173 Artaud, Œuvres, p. 1711. Artaud, OCIII (Paris: Gallimard, 1978), p. ninety four. Artaud, OCIII, p. ninety four. Artaud, OCIV, p. fifty five. TD, p. fifty seven. Artaud, OCII (Paris: Gallimard, 1980), p. 154. additionally see Virmaux, Alain, Antonin Artaud et le théâtre (Paris: Seghers, 1970), p. 187. Quoted in Virmaux, Antonin Artaud et le théâtre, p. 308. Roger Vitrac, ‘Après Les Cenci’, in Virmaux, Antonin Artaud et le théâtre, p. 299. a lot has been written at the Orientalist views of nineteenth and twentieth Century French writing, see for instance Saïd, Edward, Orientalism (London: Penguin, 2003), pp. 166–91, or, in particular as regards to Surrealism and Artaud, Hollier, Denis, ‘Surrealism and its Discontents’ in Papers of Surrealism, no. 7, 2007. on-line at http://www. surrealismcentre. ac. uk/papersofsurrealism/journal7/index. htm, final accessed eighth April 2013. Artaud, OCIII, p. 116. Artaud, OCIV, p. seventy three. TD, p. seventy five. Artaud, OCIV, p eighty three. TD, p. eighty five. Artaud, OCIV, p. eighty two. TD, p. eighty five. Paule Thévenin, ‘1898–1948’ in Antonin Artaud et le théâtre de notre temps, XXII-XXIII of the Cahiers de los angeles compagnie Madeleine Renaud – Jean-Louis Barrault, Paris, Julliard, mai 1958, pp. 44–5. In Monique Borie, Antonin Artaud et le retour aux resources (Paris: Gallimard, 1989), p. 347. Artaud, OCIV, p. 14. TD, p. thirteen. Artaud, OCIV, p. 23. TD, p. 24. Artaud, OCIV, p. 26. TD, p. 26. Artaud, OCIV, p. 20. TD, p. 21. Artaud, OCIV, p. forty three. TD, forty four. Artaud’s emphasis. Artaud, OCIV, p. forty three. TD, p. forty four. Artaud, OCIV, p. forty four. TD, p. forty six. ‘lui rendre ses possibilités d’ébranlement body’ (‘reveal its probabilities for generating actual shock’). Artaud, OCIV, p. forty four. TD, p. forty six. Artaud, OCIV, p. forty four. TD, p. forty six. Artaud, OCIV, p. forty five. TD, p. forty six. See, for instance, Dumulié in Artaud et Nietszche, Derrida in ‘Le théâtre de los angeles cruauté et los angeles clôture de l. a. représentation’, Monique Borie in Antonin Artaud: Le théâtre et le retour aux assets. Penelope Murray and T. S. Dorsch, Classical Literary feedback (London: Penguin, 2000), p. 7. Mikkel Borch-Jacobsen, The Freudian topic, trans. Catherine Porter (Stanford: Stanford collage Press, 1988), p. forty seven. Borch-Jacobsen, The Freudian topic, p. 39. Borch-Jacobsen, The Freudian topic, p. forty two. Borch-Jacobsen’s use of Vorstellung is expert by way of Hegel’s use of it, implying it truly is ‘reflectively a step above the misleading presentational immediacy of sensuous perception’, as James Yerkes writes in Yerkes, The Christology of Hegel (Albany, big apple: The kingdom college of latest York Press, 1983), p. eighty. Borch-Jacobsen, The Freudian topic, p. forty. Borch-Jacobsen, The Freudian topic, p. forty. 174 Notes forty-one. Philippe Lacoue-Labarthe, ‘Typographie’ in Mimesis des articulations, ed. Sylviane Agacinski, Jacques Derrida, Sarah Kofman, Ph. Lacoue-Labarthe, Jean-Luc Nancy, Bernard Pautrat (Paris: Flammarion, 1975), p. 209. forty two. Lacoue-Labarthe, ‘Typographie’, p. 270. forty three. Artaud, Œuvres, p. 659. forty four. ‘Cinq certificats médicaux’ in Œuvres, p. 847. forty five. ‘Cinq certificats médicaux’ in Œuvres, p. 847. forty six. Artaud, Œuvres, p. 1513. forty seven. Jane Goodall, Artaud and the Gnostic Drama (Oxford: Clarendon, 1994), p.

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