In this booklet, Sara Monoson demanding situations the longstanding and extensively held view that Plato is a virulent opponent of all issues democratic. She doesn't, besides the fact that, provide as a substitute the both fallacious concept that he's in some way a partisan of democracy. as a substitute, she argues that we must always attend extra heavily to Plato's recommendation that democracy is scary and interesting, and he or she seeks to provide an explanation for why he chanced on it morally and politically intriguing.
Monoson specializes in Plato's engagement with democracy as he knew it: a cluster of cultural practices that stretch into deepest and public existence, in addition to a suite of governing associations. She proposes that whereas Plato charts tensions among the claims of democratic legitimacy and philosophical fact, he additionally indicates a notable charm to 4 practices relevant to Athenian democratic politics: severe antityrantism, frank conversing, public funeral oratory, and theater-going. through juxtaposing distinctive exam of those elements of Athenian democracy with research of the figurative language, dramatic constitution, and arguments of the dialogues, she indicates that Plato systematically hyperlinks democratic beliefs and actions to philosophic hard work. Monoson reveals that Plato's political concept exposes intimate connections among Athenian democratic politics and the perform of philosophy.
Situating Plato's political concept within the context of the Athenian democratic imaginary, Monoson develops a brand new, textured mind set of the connection among Plato's concept and the politics of his city.