The Search for the Beautiful Woman: A Cultural History of Japanese and Chinese Beauty (Asia/Pacific/Perspectives)
While a narrow physique is a prerequisite for attractiveness this day, plump ladies have been thought of excellent in Tang Dynasty China and Heian-period Japan. beginning round the Southern music interval in China, certain toes symbolized the recognition of ladies. yet in Japan, shaved eyebrows and blackened the teeth lengthy have been markers of loveliness.
For centuries, eastern tradition used to be profoundly formed by means of China, yet in complicated ways in which are just now changing into obvious. during this first complete comparative historical past of the topic, Cho Kyo explores altering criteria of female good looks in China and Japan over the last millennia. Drawing on a wealthy array of literary and creative resources accrued over a decade of analysis, he considers which chinese language representations have been rejected or approved and remodeled in Japan. He then lines the advent of Western aesthetics into Japan beginning within the Meiji period, resulting in slowly constructing yet radical adjustments in representations of attractiveness. via fiction, poetry, paintings, ads, and images, the writer vividly demonstrates how standards of good looks fluctuate tremendously via period and tradition and the way aesthetic experience replaced during prolonged cultural differences that have been encouraged by means of either China and the West.
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Additional resources for The Search for the Beautiful Woman: A Cultural History of Japanese and Chinese Beauty (Asia/Pacific/Perspectives)
35. Masuda Motomu, A Comparative learn of The Taiheiki (“Taiheiki” no hikakubungakuteki kenkyū) (Kadokawa Shoten, 1996). 36. Ichiko Teiji (annotator), Otogi-zōshi (NKBT 38,  1977), 151. 37. Kajiwara Masaaki (annotator and translator), Gikeiki (SNKBZ sixty two, 2000). 38. Okami Masao (annotator), Gikeiki (NKBT 37,  1977), sixty one. 7 Edo tradition as a filter out 1. “ADAPTATIONS” OF a twin of attractiveness uploading photographs within the Edo interval, there has been a increase of “translating” chinese language literature. The milieu used to be kana -based jap studded with Chinese-style expressions. This used to be a progressive switch within the background of examining chinese language verse and prose just by technique of kundoku or yomikuashi, which retains the chinese language intact yet makes use of jap pronunciation and grammar. despite the fact that, instead of real “translations,” what first seemed have been “adaptations,” during which info in unique texts have been missed. one of many earliest makes an attempt is the protecting Doll (Otogibōko, 1666) by way of Asai Ryōi, writer of brief narratives of the kind often called kanazōshi (books in vulgar script), written quite often in kana and basically meant for kids, girls, and the modestly lettered. “The Peony Lantern” (“Botan no tōrō”; popularly referred to as “Botan dōro”) in that assortment features a scene during which Hagiwara Shinnojō accidentally encounters a beautiful girl at the roadside at the evening of the 15th day of the 7th month: One attractive girl, likely approximately 20 years of age, slowly glided by with a fourteen- or fifteen-year-old maid who carried a peony lantern. The woman’s slanting eyes of lotus petals have been transparent, and her physique form of willow used to be tender. Her eyebrow ink of katsura and hair of eco-friendly sheen have been beautiful past expression. 1 the japanese “The Peony Lantern” is an model from “The Account of the Peony Lantern” within the past due fourteenth-century chinese language assortment known as New Lamp-Wick Trimming tales (Jiandeng xinhua). The chinese language resource describes an analogous scene as follows: Qiao observed a maid stroll forward protecting a double-headed peony lantern, and a stunning lady following her. the lady was once approximately seventeen or eighteen years previous. In a crimson skirt and eco-friendly sleeves, taking a look gorgeous and demure, she handed lightly via towards the west. As he observed her less than the moon, she was once a real good looks with a resonant face and a younger set of enamel. 2 the unique chinese language wording stunning and demure (tingting niaoniao) is a suite word describing a stunning visual appeal. Resonant face (shaoyan) denotes a tender, wonderful countenance. smooth enamel (zhichi) additionally stands for youthfulness. In different phrases, the unique textual content in simple terms offers an impressionistic description with out connection with facial expression or physique form. compared, the outline within the protecting Doll introduces such information no longer within the unique, as cool-looking eyes like lotus blossoms, appealing eyebrows like katsura (a tree that used to be reputed to develop within the moon), and darkish hair. The descriptions aren't might be real to lifestyles, yet do consult with concrete elements of the character’s face and physique.